Archive for the ‘History’ Category
Full Disclosure outtakes: Babil (2005) and Anbar (2006)
I’m posting via Vimeo a series more favorite scenes I wasn’t able to fit into my 2008 documentary, Full Disclosure.
These scenes are from 2005 and 2006. (I didn’t shoot video in Iraq in 2004, only stills.) The first scenes focus on activities in Babil province during the run-up to the first post-Saddam election, January 31, 2005. The second chunk is from 1/2’s time in Hit, Anbar province, in early 2006.
There’s no graphic violence, but the video is still NSFW because of expletive-heavy gruntspeak and a flash of a porn magazine.
There’s No Going Back: Iraq Ten Years Later
After my last trip to Iraq in 2006, I told myself I would return. I’d go to the places I patrolled with the marines and to the homes I stomped into and out of as an appendage of their squads. As an embedded journalist, I learned little about Iraqi people’s lives, other than what these lives looked like when instantly disrupted and upended. Next time, I would go without bulletproof vest or Kevlar helmet — and without the retinue of troops. I would listen and learn. I figured I’d be able to make this trip in five, maybe six years, once the the conflict ended or at least ebbed. But there is no end or ebb on the horizon.
A decade ago to this day I was rattling around the belly of an assault amphibious vehicle just a few miles into Iraq. I had overnighted with a U.S. Marine section at Camp Scania, a giant way station for military and contractor convoys heading north from Kuwait. Minutes before folding myself into the AAV, a gunnery sergeant briefed his men. “Ninety-nine percent of the people want us here,” the gunny said as I hovered with my cameras. “The other one percent, we’re going to fucking kill… Stay sharp the rest of the fucking way. Trust your training and trust your fucking senior marines.”
I remember rumbling past a family of salt harvesters, a young boy and girl begging, a plot of sunflowers, then a group of men washing cars along the roadside. “We pass through the first real city — buildings with stores and homes; folks on the street. I hear birds singing,” I wrote in my journal that night. ” I had prepared myself for pure desolation. This town was beat up and dusty, but still alive.
Minutes later, we pulled into Forward Operating Base Iskandariyah. It was 1430 hours, July 21, 2004.
On my second full day at FOB Iskan, mortars dropped from the air onto the far end of the base, where I was staying with the battalion’s weapons company. Grunts hustled me into the bottom of a packed bomb shelter. I heard shouting and bellowing from the entrance 30 feet away and above me.
Later, I learned that Vincent Sullivan, a marine sniper, had been killed. Others, among them a sergeant named DeBoy, had been hit by shrapnel. I asked myself then, if I had moved just one second faster, would Sullivan be alive, DeBoy unscathed?
I spent several weeks on base and off in surrounding towns—Musayyib, Haswah, and Iskandariyah. Each day, I observed the troops with Iraqis. I watched these young American men struggle and improvise without guidance, on the fly. I watched Iraqis, men and women, shrink and submit, stand up to and challenge the marines. A good day was when no one got hurt or killed, even if nothing got fixed or solved.

Boy on construction team building birthing center funded and then defunded by U.S. Army. Marines promised to resume support — if local leaders cooperated with them. Jurf-al-Sakhar, Iraq, August 8, 2004

Marines from 1/2 Bravo Co., 2nd Platoon, checking for IEDs during a routine patrol, Babil Province, Iraq, August 20, 2004
I made two more trips to Iraq to cover the unit, 1st Battalion/2d Marines, in 2005 and 2006, and the impact of the occupation on Iraq.
After coming home, I scoured the Department of Defense list of troops killed in action for familiar names once a day, and I would find some. I Googled “Iskandariyah” and the other towns every few hours. And I kept Iraq war-related sites open on my desktop, from boot-up in the morning to shutdown at night.
A year later, I checked the casualty list once a day, Iraq news three or four times.
Five years later, I surfed my way to Iraq news and the DoD list once a week, maybe.
Now, ten years on, I peek at Iraq news only when it finds me through the throbbing headlines.
July 19: “Baghdad bombings kill dozens.” “Obama’s Iraq dilemma: Fighting the ISIL puts US and Iran on the same side.” “Concern and Support for Iraqi Christians Forced by Militants to Flee Mosul.”
I Google my old places. “Iskandariyah,” the city I spent the summer of 2004 with 1st Battalion/2d Marines: June 2, a car bomb killed at least two people and injured 10. May 12: “Two police officers were killed while trying to defuse a bomb in Jurf al-Sakhar, about 30 miles (50 kilometers) south of Baghdad.” March 18: “A bombing in Haswa killed one person. Two other people were wounded in a separate blast.”
I don’t know what to say or to do as the always-simmering violence explodes and our policymakers and pundits debate taking the same well-worn and deadly paths once again, but I would at least like to know the names of these people we call “casualties.”
Memorial Day Lesson from a Daughter of the Confederacy
On a run last week, Erin had noticed that Oakland Cemetery, which we’d never visited, had sprouted Confederate flags. We went back to look today, figuring we’d find another memorial to the mythical Southern Way of Life and the Lost Cause.
Instead, we found a 65-year-old white woman named Marquita talking to a younger black woman and a black man amid the headstones. The black woman, angry and crying, was struggling to find her father’s burial site. The man was there to put flowers on his daughter’s grave, now an overgrown patch of weeds, and to find another family member.
Marquita, who recently joined the Daughters of the Confederacy at her brothers’ behest, also has relatives buried at Oakland. Black and white buried together, something we haven’t seen in old, post–Civil War and segregation-era cemeteries around here.
We walked up to the group as Marquita explained to the woman why she couldn’t find her dad’s grave. The cemetery’s owner, Allen Simmons, had buried people every which way—casket atop casket, pointing this way and that, under walkways—with or without permits. Over the years, Simmons and his company, Oakland Estates & Grounds LLC, got hauled into Hampton court and dinged for misdemeanors like “improper upkeep of cemetery.” Found guilty more than a few times, Simmons was fined—$2,500, $1,000, $500—didn’t pay, and kept on disrespecting the dead.
In 2005, Simmons told a reporter from the Daily Press, the local paper, exactly where he stood: “I kind of agree with the city. They have something to complain about,’” he said. ‘But our plan is to abandon the cemetery because we have no funds.’” And abandon it he did; and then he died.
The Commonwealth of Virginia doesn’t want to take responsibility for Oakland, nor does the city of Hampton. There are, however, plots at Oakland that are picture perfect—headstones upright, grass manicured. Families with means take care of these, but only these.
So, like the city’s primarily African American cemeteries, this rare integrated burial ground would be totally consumed by nature if not for a band of volunteers.

Marquita Latta plants flags at upended headstones of black servicemen, Oakland Cemetery, Hampton, VA, May 24, 2014, BP cell phone photo
Marquita is a voluble woman, today wearing a cowboy hat glittered in blue with white stars to match the stripeless corner of Old Glory. I hope she won’t mind me calling her eccentric, because she is. She’s adopted Oakland, along with a group of people she calls family—Tim, a Son of the Confederacy, who was cutting the grass on his new riding mower; Sarah (I think that was her name), who was doing the same on the old one; and others. When Erin and I arrived, they had all been trying to help the crying woman find her dad’s grave. They stuck a thin metal probe into the earth, hoping to hit stone or anything hard; then they dug a small hole. Nothing.
Marquita peeled off from the group to show me something at the far end of the cemetery, a heap of six headstones—all of them official Veterans Affairs, government–issued ones. African American service members, she told me. She and her comrades had pulled them from the woods but didn’t have the equipment to set them upright. She’d called the VA, she told me, and the local black chapter of the American Legion. More nothing.
As I stood there, this Daughter of the Confederacy—as in an actual member of that national organization—added a few more American flags to the ones she’d planted before we arrived.
Erin overheard Tim talking to the man who came to visit his daughter and find his relative’s grave marker. They didn’t find it—so Tim, the Confederate Son (this according to Marquita), dug a small hole in a spot where the grave might be, just the right size for the African American man to fit a vase of flowers. Tim asked where the daughter was buried and then piloted his mower over to the plot and cleaned it up. The man (he left before I got his name) then planted his second tribute, a bouquet of white flowers.
As we pedaled away, Erin waved goodbye to Tim. He returned the gesture with the flag he was holding, the Confederate stars and bars.
God Sees All
Charles Byrd drove his front-end loader to the end of the gravel road. He cut the engine, hopped out of the cab, and nodded at me. “That’s Maggie Walker’s grave,” Mr. Byrd said. I had just photographed the curved headstone without noticing who it honored, Maggie Lena Walker: savings bank founder, newspaper publisher, civic leader, Jim Crow battler, daughter of an enslaved woman.
Under my feet.
Mr. Byrd, a contractor, said he was heading to the mausoleum that Mr. Harris, who was working in another part of Evergreen Cemetery, had told him about. He took a narrow, grass footpath that looked promising into the trees.
Mr. Byrd shouted for me in barely a minute.
As you approach from the side, the crypt looks more stately than spooky. The part of the building that isn’t obscured by leaves and branches appears solid. Tendrils of ivy creep down the walls from its roof. But as you swing around to the front, down a slight hill, you see tragedy head on—a huge, ragged hole has been punched through the cinderblock façade. I gather that the ugly gray bricks had been laid to cover an earlier desecration of the original door. The name carved into the stone at the top of the structure is “Braxton.”
We stared into the hole at the exposed coffins.
“Why would somebody do something like this,” Mr. Byrd said, not asking me, just saying.
I feel this whenever I document human ugliness: a surge of adrenalin and my news reporter’s predatory hunger mashed up with disgust and anger. Sadness, too.
Rust had destroyed the finish of the casket directly in front of us. The fixtures were busted. The lid had been wrenched off. The two caskets to the right had been dragged off their shelves as far as they would come. The floor was heaped with shattered headstones, trash, a woman’s wig. It seemed that the people who did this had plenty of time to destroy and despoil. We didn’t know how awful the story was—the dead had been pulled from their caskets—until afterward, when we Googled our way to video a by KIDA Productions. (Scroll down to “Evergreen Cemetery: History in Ruins.”)
Evergreen Cemetery is enormous. It’s part of a patchwork of African American graveyards that covers acres of Richmond’s east side, East End Cemetery among them. Hundreds, possibly thousands, of graves have been absorbed by the forest. They are invisible beneath the green and brown tangle. Volunteers from the Virginia Roots Cemetery Restoration Project, local colleges, professional landscapers, even the army’s Fort Lee do regular cleanup operations. A local chapter of black fraternity Omega Psi Phi minds the plot where Walker and John Mitchell, Jr., editor of the Richmond Planet, are buried. But nature is very aggressive here, hard to fight with limited resources; the cemetery’s owners made no provision for perpetual care, which led to its current state. And then there are the vandals. (Volunteer wrangler John Shuck tells us that “an issue” with the owners of Evergreen has ended cleanup efforts there. Volunteers are now working at East End. Here’s a link to their Work Calendar for folks who want to pitch in.)
In red marker, someone has written on the center coffin, “God Sees All”; and at the rim of the hole, “Smile. Your [sic] On Camera.” Perhaps a deterrent to further outrages. Perhaps not.
A Journey Toward Healing in Yorktown, Virginia

Young girl photographs newly installed wayside at the old Shiloh Baptist Church Cemetery, Yorktown, VA, July 21, 2013
A rough encampment for enslaved people was set up on July 23, 1863—150 years ago today—near Fort Yorktown, Virginia, a Union stronghold in Rebel territory. It took the generic name “slabtown.” That’s what many such camps were called because the shacks built by the self-emancipated women and men—otherwise known as fugitive slaves—were thrown up with any material at hand, including irregular, bark-covered tree slabs left over from timber milling. Residents later called it Uniontown for obvious reasons. They founded a church called Shiloh Baptist and built a town around it.
Last Sunday, Shiloh joined with the National Park Service to dedicate “waysides,” those hefty informational signs you find at national parks, to honor the community, which no longer exists. Given the rather difficult history of the Shiloh–NPS relationship, the event was an amazing example of hatchet burying and cooperation.
Uniontown survived the Civil War, endured Reconstruction and Jim Crow, and thrived into the 20th century. Then the National Park Service started eyeing the land, which happened to be part of the Yorktown National Battlefield. Lord Charles Cornwallis, commander of British forces, surrendered there to General George Washington, in 1781. The NPS wanted the area pristine for the bicentennial. The black folk were in the way.

Former residents of Uniontown and friends look at new wayside at Yorktown National Cemetery, Yorktown, VA, July 21, 2013. Photo by Erin Hollaway Palmer
“A community generally known as Slabtown still forms a wedge into the Yorktown Battlefield,” wrote Newton Drury, the park service’s director, in 1946. Just three years later, he referred to a “significant acquisition” in Uniontown. That was the beginning of the end for the community.
The NPS started offering to buy land from residents. “There was an agreement that nobody would move out without informing the others about what was on the plate—what the National Park Service offered,” a former resident named Sherman Hill told us. But “after all the years, you started distrusting one another.” He believes that the NPS used a divide-and-conquer strategy to break the community’s cohesion—and to get the land for bargain prices. It worked. They cleared everyone out by 1977, though one man who lived far from the battlefield (but still on land the NPS wanted) got life rights. When he dies, the park service gets his land.
But on Saturday, Shiloh’s Pastor, Barbara Lemon, shared a podium with Supervisory Park Ranger Diane K. Depew, and Dan Smith, Superintendent of the Colonial National Historical Park, at an eight-plus-hour symposium hosted by the church. Heavyweight scholars, an African American Civil War reenactor (and park service employee), and two Hampton University history majors held forth on the exodus of the enslaved and the genesis of Slabtown. On Sunday, all gathered at the Yorktown National Cemetery and Battlefield to unveil the waysides. It was a moving end to a remarkable weekend.

Young boy lays wreath on the grave of a Yorktown soldier who served with the United States Colored Troops during the Civil War, Yorktown, VA, July 21, 2013. Photo by Erin Hollaway Palmer
All injustices have not been remedied, and all wounds certainly have not healed. After nearly 40 years, the NPS has done nothing with much of the land acquired from Uniontowners. It is underbrush and patchy grass clearings in the woods. And yet, some kind of healing happened here. For that, we should be grateful—and ready for the next step.
Juneteenth, African Burial Ground, New York City, June 19, 2013
- Photos inside the African Burial Ground visitors’ center of remains found in a 6.6-acre area of Lower Manhattan where free and enslaved Africans were buried from the 1690s until 1794
- Display inside the African Burial Ground visitors’ center
- Photo by Erin of the reflection of the Civil War encampment erected by reenactors
Here’s the piece I shot and wrote for Parade.com on the day of.
From the BXP photo archive: David Duke, white supremacist/GOP office holder, July 4, 1991

Man holding Nazi-era sign at rally for David Duke. Translation is “The Jew: War Agitator. War Perpetuater.” New Orleans, LA, July 4, 1991
I’d already been thinking a lot about the Ku Klux Klan when the publication of Anthony Karen’s new photo book, White Pride, was announced. When slavery and the Civil War ended, the Klan swept in to preserve the South’s social, political, and economic order by terrorizing the newly freed, who might have been tempted to exercise their new rights. Karen’s gentle comments to an interviewer about the “pro-America” folks who flock to the group and its white supremacist brother/sister organizations struck—actually hammered—a nerve.
I remember photographing “Dukefest” in 1991, on the Fourth of July no less, in New Orleans. Louisiana state legislator David Duke—also founder of the Knights of the Ku Klux Klan and the National Association for White People—was firing up a campaign for governor. The shape-shifting Duke was as slick as goose excrement, playing up his equal-rights-for-downtrodden-whites rhetoric and downplaying his Nazi uniform-wearing and Klan-klothed days. Some of Duke’s adherents, however, didn’t get the play-nice-for-the-camera memo. They did what they could to jostle the out-of-town reporters, spill beer on us. Thankfully, the cops knew the drill and prevented anything untoward from happening. They made it safe enough for Danny Schecter, me, and other non-Aryans to document the scene: a crowd of white folks barbecuing and gamboling at the center of City Park in one of the blackest (as in African Americanest) cities in the U.S.
Duke was a manipulator, if not the most masterful one. He wasn’t urbane (or smart) enough to sanitize himself so he could slide into the mainstream of the Republican party. (There’s only so much scrubbing you can do to get rid of the stink of fascism.)
Duke appealed to a swath of disaffected, poor white folks who believed that affirmative action and other programs designed (sometimes poorly) to mitigate discriminatory practices and policies were the stake in the heart of their dreams.
But it would be condescending, one might say racist, to assume that Duke’s stalwart supporters didn’t know of his fascist roots. There were (and still are) plenty of conservative groups that don’t wave the flag of racism and anti-semitism. So one might assume that a fair portion of Duke’s followers were attracted to these very things in his barely concealed past.
I’m looking forward to seeing Karen’s book. I want to know if the photographer sees and works both compassionately and critically. I have no doubt that his subjects’ individuality and the circumstances of their lives may be interesting, even compelling. But a book focused on members of America’s oldest terrorist organization must also explore its subjects’ relationship to the Klan’s legacy of hate, brutality, and murder—a legacy they have chosen to embrace. Otherwise, it’s simply environmental portraiture—or propaganda.
Update from the Producer/Directors of Make the Ground Talk
A few Saturdays ago, we led an audience at William and Mary’s Lemon Project Symposium on an audiovisual tour of the research we’ve done for our documentary, Make the Ground Talk. Our show started where we began our actual journey: Camp Peary, the military base that seventy years ago swallowed Magruder, the town where Brian’s father and his parents were born, and where the grave of his great-grandfather, Mat Palmer, still lies.
One of the most important things we’ve learned during our months of reading, talking, and filming—other than that Mat was a Union Army vet who had been a slave—is that many other historic black Tidewater communities were uprooted and displaced, usually by Uncle Sam, in the 20th century. Land was seized both by the government through eminent domain and by “market forces,” often large institutions that applied the tremendous economic and political power they wielded in pre–Civil Rights America.
We shared with folks at W&M—many Palmers as well as academics and others who have guided us this far—a realization we had a few months into our work. To do justice to the small story, that of Magruder and Brian’s family, we needed to tackle the much larger one: the series of evictions that erased a constellation of communities connected by family, church, and other fundamental bonds.
- James River seen from Berkeley Plantation, where roughly 100 enslaved men and women produced tobacco, Charles City, Va., March 22, 2013
- Memorial erected in 1905 by the Amelia Chapter of the United Daughters of the Confederacy, Amelia Courthouse, Va., March 21, 2013
- Lunch at Hatcher’s, Amelia Courthouse, Va., March 21, 2013
- Bound volumes of documents, Amelia County Circuit Court Clerk’s office, Amelia Courthouse, Va., March 21, 2013
- Main house at Berkeley Plantation (built 1726), Charles City, Va., March 22, 2013
- Grave of Lafayette Meeks, CSA soldier who died of typhoid, Appomattox, Va., March 21, 2013
After the talk—we think it went well—we spent another week in Virginia, using Hampton as our base once again, to explore new places and meet people with stories about communities like Magruder, Uniontown, and Acretown. Najla Kurani told us how her grandparents, white folks who moved to Magruder from Indiana (by way of Panama!), found their property, coaxed food out of the poor soil, and then lost it to the Navy when everyone else did. With his wife, Louise, Brian’s cousin Horace Smith led us through Bible study, our first, and vividly described life in Grove, the place where many black Magruderites like the Palmers resettled. The club at Grove’s Log Cabin Beach on the James River was a stop on the Chitlin’ Circuit, the network of nightclubs across the South where black entertainers—Fats Domino, Little Richard, B.B. King, and many others—performed for black folks, who were banned from white clubs. The club’s DJ had a slogan, which Rev. Horace bellowed for us at his kitchen table: “Everybody’s gabbin’ about Log Cabin!”
But the archives were calling us, too. Family historians, women like Brian’s late Aunt Ethelyn and late cousin Jean who laid the foundation for our work, have said that the Palmers originated in Amelia County. Knowledge passed verbally from forbears tells us this. But there’s also some documentary evidence: A marriage register from York County lists Brian’s great-grandfather Mat’s parents, Winnie and Lewis, and his place of birth, Amelia. Other documents, though—actual affidavits attached to Mat’s Union Army pension application—point to Goochland County (which we visited in November). So we headed west to the Amelia County Clerk’s office to hunt for answers.
We’d been told this was the red (as in Romney, not Lenin, red) part of the state, so we’d braced ourselves for a tepid reception in both Amelia and neighboring Nottoway County, where we stayed. While hardly Kumbaya country, the small town of Blackstone is almost exactly half African American, half white. Cars in the Grey Swan Inn’s gravel lot sported Obama-Biden bumper stickers. Turns out these cars belonged to our lovely innkeepers, Jim and Christine Hasbrouck. (Even better, Jim roasts his own coffee. Need we say more?)
Amelia has a slightly different feel. Perhaps it’s the monument to the “Confederate Dead” smack in the middle of town, in front of the courthouse. At the antiques shop across the street, we came face to face with a man-size Sambo-esque statue to which someone—perhaps the shoppe’s frosty owner—has affixed a handwritten note in “dialect” talkin’ ’bout “massa.” The rotund figure is merely the largest in a collection of Jim Crow–era curios.
That said, our guide to the clerk’s archives, Juanita Booker, was African American, as were Leroy and Sylvia Hatcher, the proprietors of our lunch spot, Hatcher’s Dining and Catering—which is separated from Mammy Land by a tiny parking lot. We haven’t gotten used to these juxtapositions.
At the clerk’s office, we dug into ancient deed books, marriage registers, and volumes of wills in search of Mat Palmer’s parents. Since slaves were property and recorded as such in documents, we searched the names of potential owners, beginning with the Hobsons, the Goochland family that owned Mat. Dig, dig, dig. Sigh, sigh, sigh. Harrumph. Then, a familiar name: Maben, a family with multiple connections to the Hobsons. Erin found the names “Winney” and “Lewis No. 2”—one of three Lewises— and “child William,” in the will of one David Maben. We levitated and beamed for a few seconds, despite the shock of seeing these names listed among feather beds and farm animals. These may or may not be our Winnie—Winney?—and Lewis, but we’ve found one more thread to follow on our journey.

Detail from will of David Maben, Amelia County Circuit Court Clerk’s office, Amelia Courthouse, Va., March 21, 2013
Our next tasks: create a reel with segments of our strongest interviews and other video imagery, and—wait for it—our first fund-raising push. We’ll be setting up on either Kickstarter or Indiegogo. Stay tuned.




















